Women’s Work 2018-02-20T19:42:50+00:00

Women’s Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation

The Lost Chord - 2 - The Art Gym at Marylhurst UniversityThe Lost Chord - 3 - Ping Pong Table - The Art Gym at Marylhurst UniversityThe Lost Chord - 4 - NW View - The Art Gym at Marylhurst UniversityThe Lost Chord - 5 - The Art Gym at Marylhurst UniversityThe Lost Chord - 6 - Lamp - The Art Gym at Marylhurst University

Women’s Work:
Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation

Works by Anni Albers, Louise Bourgeois, Suzanne Caporael, Squeak Carnwath, Vija Celmins, Helen Frankenthaler, Ellen Gallagher, M.K. Guth, Jane Hammond, Mary Heilmann, Julia Jacquette, Fay Jones, Barbara Kruger, Hung Liu, Agnes Martin, Julie Mehretu, Sarah Morris, Wangechi Mutu, Louise Nevelson, Judy Pfaff, Bridget Riley, Kiki Smith, Pat Steir, Kara Walker, Marie K. Watt, and Sherrie Wolf.

Women’s Work was organized collaboratively by Terri M. Hopkins, director of the Art Gym, Marylhurst University, and John Olbrantz, the Maribeth Collins Director of the Hallie Ford Museum of Art at Willamette University, Salem, Oregon.

“Collectively, the 56 prints that comprise Women’s Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation testify to the innovative breadth and variety of printmaking approaches taken by women since the early 1970s. That the work on view in this exhibition follows closely upon many recent events and publications that celebrate the art-historical legacy of feminism – such as WACK Art and the Feminist Revolution (Museum of Contemporary Art, Los Angeles) and Global Feminisms (Brooklyn Museum of Art, Brooklyn, New York) – should come as no surprise. Women’s Work makes known a variety of stylistic formats that address overlapping issues of gender, the body and personal fantasies of desire, as well as more recent concerns of identity, politics and the environment. Often laced with humor and a sense of playfulness, this work share a creative personal vision deeply integrated with references to larger historical themes and conceptual motifs.”

– Robin Reisenfeld, Women’s Work exhibition brochure

Curated By: Terri Hopkins

On view: FEBRUARY 25 – APRIL 2, 2008